|
Ultra Micro Nikkor Technology
|
Endless Evolution - From Micro to Super Micro photography
As I wrote briefly in the chapter Grand History,
the Nippon Kougaku's purpose to make the Ultra-Micro-Nikkor 105mm F2.8
was making the evaporation mask for frequency transistors.
Once Nippon Kougaku finished this project,
they developed more detailed photomask manufactures that is super micro photographs.
A line width of those days was 1 - 3 micrometers.
I want to summarize the technology of Ultra-Micro-Nikkor briefly.
Aperture and Resolution of Lens
What is the common knowledge for shutterbugs? Yes, we know the answer.
If we stop down the aperture, the image will become sharp. This is the standard.
Therefore, we might think when we can make the high resolution lens even we sacrifice aperture.
However, it is not accepted at this lens requirement.
If you stop down the high resolution lens aperture, the resolution will be significantly reduced.
In addition, the high resolution lens needs to be fast aperture.
As you can see the following lens equation,
the only few lens of excellent less optical aberration
can make the photographic subject with the wavelength of L mm.
The Fe means available F (aperture) number of the lens.
The resolution of center of the lens can be defined by using following equation.
Resolution = 1 / 1.22 L Fe (lines/mm)
If object is at infinity, Fe and F are agree,
however if object is at close range and the case of M-power magnification,
it becomes the following formula.
Fe = F (1+M)
The Relationship between Wavelength of Light and Resolving Power (lines/mm)
As I described previous chapter, we can calculate the availability of F (aperture) number.
You probably understand when we need the high resolution, we need the fast lens.
In addition, if the lens has same F number,
the lens gets more resolution when the wavelength of light is shorter.
Note: The following numbers in column show resolution (lines/mm)
|
F No.
|
e-line
L = 546.1 milli-micron
|
g-line
L = 435.8 milli-micron
|
h-line
L = 404.7 milli-micron
|
1.0
1.2
1.4
2
2.8
4
5.6
8
11
16
22
|
1,5601
1,251
1,072
750
536
375
268
188
136
94
68
|
1,881
1,567
1,343
940
672
470
336
235
171
118
85
|
2,025
1,688
1,447
1,013
723
506
362
253
184
127
92
|
e-Line and g-Line
It is not only an advantage although we can see shorter wavelength can make high resolution.
The high resolution film development by using color chemical processing had a fault
which shorter wavelength was grainy.
The shorter wavelength blurs the images.
Therefore, the engineer thought it was possible to use photo resist (photosensitive resin).
At the Nikon catalog, you can see the two versions of Ultra-Micro-Nikkor.
One of them is for g-lines, and another is for e-lines.
So you have to understand the difference of those issues when you see the Ultra-Micro-Nikkor catalog.
Ultra-Micro-Nikkor 28mm F1.7e, Collector's Dream Rare Lens
Varieties
The following list are made in year 1971 which Nippon Kogaku defines clearly e-line and g-line.
For a personal hobby, I recommend to own the Ultra-Micro-Nikkor for e-line,
because of the color develop chemical.
If you want to use those lenses for your SLR camera, I recommend e-line series.
Resolving Power of Ultra-Micro-Nikkor for e-line
|
Lens Name
|
Standard magnification
|
Image area
|
Aerical resolving power
|
28mm F1.7e
|
1/10X
|
8mm circle
6mm circle
|
700 lines/mm
800 lines/mm
|
28mm F1.8e
|
1/10X
|
8mm circle
7mm circle
6mm circle
|
600 lines/mm
650 lines/mm
700 lines/mm
|
30mm F1.2
|
1/25X
|
2mm circle
|
1250 lines/mm
|
50mm F1.8e
|
1/5X
|
14mm circle
12mm circle
|
500 lines/mm
600 lines/mm
|
55mm F2
|
1/4X
|
12mm circle
|
500 lines/mm
|
125mm F2.8
|
1/25X
|
28mm circle
|
400 lines/mm
|
135mm F4
|
1/25X
|
50mm circle
(at F4)
64mm circle
(at F5.6)
|
330 lines/mm
200 lines/mm
|
155mm F4
|
1/10X
|
56mm circle
(at F4)
80mm circle
(at F5.6)
|
300 lines/mm
200 lines/mm
|
165mm F4
|
1/40X
|
56mm circle
(at F4)
80mm circle
(at F5.6)
|
300 lines/mm
200 lines/mm
|
250mm F4
|
1/20X
|
80mm circle
(at F4)
100mm circle
(at F5.6)
110mm circle
(at F5.6)
|
320 lines/mm
220 lines/mm
180 lines/mm
|
Resolving Power of Ultra-Micro-Nikkor for g-line and h-line
|
Lens Name
|
Standard magnification
|
Image area
|
Aerical resolving power
|
28mm F1.7g
|
1/10X
|
8mm circle
6mm circle
|
800 lines/mm
900 lines/mm
|
28mm F1.8h
|
1/10X
|
8mm circle
7mm circle
6mm circle
|
750 lines/mm
800 lines/mm
900 lines/mm
|
30mm F1.2h
|
1/25X
|
3mm circle
2mm circle
|
1300 lines/mm
1600 lines/mm
|
50mm F1.8h
|
1/5X
|
14mm circle
10mm circle
|
650 lines/mm
800 lines/mm
|
225mm F1.0g
|
1X
|
50mm circle
|
400 lines/mm
|
300mm F1.4g
|
1X
|
60mm circle
|
400 lines/mm
|
Super High End Lens Ultra-Micro-Nikkor
Ultra-Micro-Nikkor lens has the characteristic near an ideal lens.
It is not necessary to know the numerical characteristic.
Ultra-Micro-Nikkor was once a famous super star, great renown is important,
However those survided old lens needs something fun to live.
Ultra-Micro-Nikkor worked very hard in the industry.
We have to say "much appreciated" to those lenses.
As we know, Japanese samurai sword was made to kill somebody.
However, in those days, the role does not exist now.
It just exist as an art. We can feel the Japanese splits from those swords.
Also, Ultra-Micro-Nikkor can say the same thing.
No one sets this lens to old printing machine again.
It is better to use this lens in the Japanese four seasons.
This lens may have a healing power.
The real thing live beyond the years of life on the earth.
This picture as shown is Ultra-Micro-Nikkor 55mm F2.
Even it has over 500 lines/mm resolution, the overview is so cute.
The picture was taken at the rice-producing region in early summer.
The Ultra-Micro-Nikkor lens multi coat comes out the grove of the village shrire in Japan.
Ultra-Micro-Nikkor 55mm F2, in Japanese Early Summer Time
Back to RED BOOK NIKKOR
Copyright (c) 2001-2002, Michio Akiyama, Tokyo Japan, All Rights Reserved.
All contents are translated by Kenzo Kono. Last translated : 2/11/2002
|