Introduction-

There have been many local manufactures in Japan. who use local materials and the natural ingredients.
These arts and techniques have been passed down. from one generation to another.
Mikawa butsudan is one of that. Mikawa butsudan, a Buddhist altar, has a long history extending back to the year of 1704.
However, these days, the production bases of the Buddhist altars are shifting to China.
To protect fine Japanese tradition which has been comforting people more than 300 years is now getting difficult.
In history, Buddhist alters have been used to worship family ancestors.
Buddhist statues, pictures and mortuary tables are set inside of the alters.
People sit in front of altars, pray to their ancestors and Buddha.
Those altars became comfort to their minds and defended them from unhappiness.
However, recent years, people's minds start keeping distance from alters.
One of the reasons is that people see alters as a symbol of the death.
A lot of people came to think that an altar is a place where the death lives andit's a negative thought.
Kazuaki Tsuzuki started Artman Japan in late 2003 out of concern that the shift of altar production to China
may lead the loss of Japanese fine tradition and he also wanted to change a general negative image for Butsudan craftsmen.
He started acting with three other Butsudan Syokunin(Buddhist alter craftsmen) who had the same thoughts.
All of their creations show the artistic side of Butsudan which are typified with black lacquer on hinoki cypress and gold foil decoration.
Whatever shape they make, they use traditional butsudan-making techniques in their creations.
It is Artman's policy.
Artman Group hopes that people will recognize the value of Japanese tradition by having a fine artwork from them at home.
In the near future, we, as Artman Group, want to open a workshop, or culture class in order to introduce our cultural heritage to many people.
This exhibition is our first step to make this dream comes true.
We think it is one BIG step.


 Artman group member -

Kazuaki Tsuzuki
Designer & Finisher
Yuji Hirbayashi
Model architect
Hironori Ishikawa
Wood carver
Hiroyuki Ito
Lacquer painter
 Artman Japan's History -

2003.12 Activity began
2003.12 won the best prize - Creators Market in Japan
2005.5 Expo in Aichi exhibition
2005.9 Expo in Aichi exhibition again
2006.6 won the 3rd prize - Creators Market in Japan
2006.10 won the best prize - Live Market in Japan
2007.3 Artman Japan's Art show[Butsudan Meets MONONOFU]
2007.10 Artman Japan's Art show[Pray & Play Butsudan]
2008.6 Artman Japan's Art show in HONKOUJI
2008.9 Artman Japan's Art show in New York
2009.5 Artman Japan's Art show in German


 Main Works

Heisei Kuhden Zushi

In the Edo period, present shape of Butsudan,the Buddhist altar,was established after Tokugawa Shogunate made the Buddhist parishioner system.
Supported by this system, Butsudans have been loved as not only something to rely on, but also as traditional handcrafts art.
However, these days, the situation of those traditional Butsudan have transformed drastically.
To protect the fine Japanese traditional craftsmanship and also to attract young generation who have less and less opportunities to be exposed to the cultural craftsmanship, we produced the Heisei kuhden Zushi, the new style of Buddhist alter influenced by 2 Japanese national treasures.
One of the national treasures is called "Tamamushi-no-Zushi", the oldest Buddhist alter in Japan representing Asuka Period (538- 710 D.C. or 592-645 D.C.) and the other is called "Youmeimon" in Nikko Tousyouguu which was built in 1636 and it is one of the best architectural achievements in Edo Period.
We, Artman Group, unite those two national treasures and create"Heisei kuhden Zushi" using traditional Butsudan manufacturing techniques.

BU-DAN

Most Japanese said that bushi-do(Chivalry)is bloody,and Buddhism is incense stinks.
There are unexpectedly a lot of people who have the poor image.
The reason of that bushi-do had the custom that harakiri(kill myself by cut stomach) and adauti(revenge on person who killed),and the funeral is associated when hearing the Buddhism.
However,bushi-do and the Buddhism are corresponding by the key word of death.
In addition,there is a history that bushi-do is taken the spirit of the Zen and has evolved.
It is in chivalry to the word that Ken-Zen-Itinyo(samurai's spirits = thought of zen).
The flower is cherry blossoms,and the person is a samurai,the men of old times long ages was sung and it admired it.
Bu-dan is Buddhism tools to bear samurai's spirit.

KUROUTO

There is a craftsmanship that seems to disappear in Japan.
Also there is a craftsmanship that has disappeared, too.
It is because the number of people who understand the difference of the quality decreases.
Kurouto is a thing made by the Japanese craftsmanship that wants to leave it for the next generation.
And Kurouto is goods that train the person who understands the quality.
The technique of a casual Japanese craftsman is concealed in it.
In Kurouto, existence of workman whom light doesn't hit easily is a leading part.

Doragon on Doragon

There is a thing of which it disposes by various circumstances.
Butsudan,the buddhist altar,is also the same.
I thought throwing away the Butsudan always to be too good.
I collected 13 disposed dragon carving and made the work to big dragon.
It is a work where it borrows the power of the workman who doesn't have the previous name for about 100 years either.





http://artman.tv//愛知県岡崎市/幸田町/三河仏壇/仏壇アート/悪匠///