The Royal Academy of
Dance (RAD)
exists
to promote knowledge, understanding and practice of dance
internationally. It is one of the world’s largest and most influential
dance education, training and membership organisations. With
over 13,000 registered members, its influence has spread to 77
countries.The Academy considers professional training of young
children in classical ballet to be vitally important, therefore the
syllabi have been devised with great care to enable a child to
progress through their dance training in planned stages,
demanding no more of a young body than it can cope with.
RAD Teachers adhere to a structured
syllabus, which is both fun and safe. They have the
training and qualifications necessary to teach dance
to young children and students. They continue
training throughout their careers to update
their skills and knowledge.
RAD Examiner
reside throughout the world. They are experienced and respected teachers,
who have
undergone a rigorous selection process and training programme before being appointed
as an Examiner. Their professional expertise, together with the ability
to create a
welcoming and reassuring environment in the studio, will ensure the necessary
personal
qualities and high professional standards expected of the Examining Board.
History of The Royal Academy of Dance
The Royal Academy of Dance was established in 1920 in London by a
small group of eminent dance professionals, the group included
Adeline
Genee from Denmark, Tamara Karsavina from Russia, Lucia Cormani
from Italy, Edouard Espinosa from France and Phyllis Bedels from
England. They represented the principal training methods of the time. It
was their concern to raise the standards of dance training in Britain that
led to the emergence of the Association of Operatic Dancing in Great
Britain. Over the next decade the Association grew in size and influence.
In 1935 the Association was granted a Royal Charter by King George V,
and became The Royal Academy of Dancing. In 1946 the RAD’s
Teachers Training Programme was inaugurated and in 1953 Queen
Elizabeth 1 consented to become Patron of the Royal
Academy of Dancing. The Academy was granted charitable status in
1963 and continued to develop its syllabi with the introduction of a new
children’s syllabus devised by the then President, Dame Margot
Fonteyn. In 1991 Antoinette Sibley was elected President. In 2000 the
Privy Council approved the change of name to the Royal Academy of
Dance. The Academy continues to help and encourage its teachers
to perfect their teaching skills and pass on this knowledge to their
students.

The
committee entertains some distinguished overseas members at Grosvenor House in
1938.
From left to right seated:
Miss Cynthia Marson (Queensland),
Miss Grant(Johannesburg), Miss Jennie Brenan(Melbourne),
Madame Genee, Miss Majorie
Sturman(South Africa), Miss Alison Lee(Australia), Mrs Freda Grant,
second row:
Miss Cone, Miss Butterworth, Miss
French, Sir William Willox, Miss Bedells, Mr.P.J.S. Richardson,
Miss Danetree, Madame Judith
Espinosa, Miss Kathleen Gordon,
back row: Mr.Chamberlain, Mr. Isitt, Mr. Heisch
.
RAD syllabi
The RAD currently provides two examination syllabi in
Classical Ballet,
and a series of non-assessed Presentation
Classes as follows:
★Vocational Graded Examination in Dance
Levels:
Intermediate Foundation, Intermediate,
Advanced Foundation, Advanced 1, Advanced 2
The Vocational Graded examinations syllabus is designed for students
wishing to make an in-depth study of classical ballet, with a view to
pursuing a career in dance or dance related subjects. Students wishing
to study for
Vocational Graded examinations should have the maturity
and technique
aptitude to enable them to respond to demanding study.
For example, a relatively proportionate, flexible physique with a
degree of rotation in the hip sockets necessary for the increased range
of movement.
★Graded examination in Dance
Levels:
Primary, Grade 1, Grade 2, Grade 3, Grade 4, Grade 5,
Grade 6, Grade 7, Grade 8
The Graded examination in Dance syllabus is designed to promote
the study of Classical Ballet and related dance disciplines as a leisure
and/or vocational activity.
It encourages enjoyment of movement as a form of physical exercise.
It provides a means of motivating students through the availability
and acquisition of carefully staged goals which have been structured to
reflect the principles of Safe Dance Practice.
It encourages self-confidence through the experience of dancing solo,
in partners and in small
groups.
It develops a general
appreciation of music through dancing to various
rhythms and styles of music.
Syllabus consisting of :
Classical ballet which is the foundation and the most
important part of the syllabus, providing the
means to acquire technical, musical and
performance skills.
Free Movement has been influenced by and incorporates
movements in common with other dance
styles such as Natural Movement,
Contemporary and Classical Greek Dance.
Character is the presentation of national dance using
original ethnic dance and music. The three
styles used are Hungarian, Russian and
Polish, these selected because of the
historical importance in the development
of the 19th
century full-length Classical Ballets.
★Presentation Classes based on the Graded Examination syllabus
Levels: Pre-primary,
Primary, Grade 1, Grade 2, Grade 3, Grade 4, Grade 5
The syllabus is a programme of work based wholly and partly on the
Graded Examination in Dance syllabus with optional modifications. It is
a non-assessed syllabus, performed in front of the Academy’s
Examiner and conducted by the teacher, and is rewarded with a
certificate of
participation.
★Pre-school
Dance Curriculum
and Demonstration Classes
In all cases syllabus content is structured progressively to ensure that
the level of technique, musicality and artistic expertise required is within
the grasp of the
student and that safe dance practices is assured.

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